The 2024 London Asian Art Week is set to begin, with Mo Hai Lou joining hands with Taiwanese artists to showcase cultural soft power
【Authored by: Mo Hai Lou International Art Research Institute】
This golden October, art enthusiasts around the globe once again turn their eyes to London as the renowned Asian Art in London (AAL) prepares to unveil its latest chapter of brilliance. Representing Taiwan’s art scene, the “Mo Hai Lou International Art Research Institute” will proudly present the special exhibition SUBLIMATION at the St. James’s Gallery, located in the global headquarters of Christie’s at the heart of London’s financial district. Showcasing the essence of contemporary Taiwanese art, this exhibition will open in late October, adding an elegant touch of Eastern charm to London’s autumn.
▲ Christie’s Headquarters in London, United Kingdom
▲ Ambassador Yao Chin-hsiang (third from the right), artists, and the curator (second from the right) pose for a group photo.
▲ Curator and artist Grace Han with Chairman of Asian Art in London, Brian Haughton (center), at the opening dinner.
Emerging artist Grace Wang (founder of Grace Han) uses leather as her primary medium, pioneering two unique art forms: classic leather bags and unprecedented leather creations. This exhibition will feature her latest works, including Sky Ballet, Glistening, Glimmer, and Lake and Window. Wang’s creations delve into the beauty of shifting water and light, transforming resilient leather into fluid, water-like shapes that reveal the versatility and boundless possibilities of the material. Among these, Sky Ballet 00 is a large leather wall piece inspired by her mother’s painting Leap. This piece captures the forceful surge of a storm while maintaining the equilibrium and calm of the horizon, freezing the fierce energy into a single powerful moment. This energy is then reimagined as clouds dancing across the sky, embodying a lighter, more romantic form.
▲ Emerging leather artist Grace
▲ Artist Grace Han’s exhibition area featuring the Lake and Window series of works.
The exhibition also presents several significant representative works by the renowned ink master Fu Yiyao, a prominent figure in the realm of Chinese art. It showcases the unique artistic style and profound cultural heritage of this “Chinese Light—Person of the Year for Promoting Chinese Culture” award recipient. As the daughter of the modern art giant Fu Baoshi, Fu Yiyao’s creations span a wide range of themes, including Japanese temple murals, folk festivals, poetic paintings inspired by the haiku of the Japanese poet Kobayashi Issa, works imitating her father’s style, and classical depictions of ukiyo-e. Among these, her works that follow in her father’s footsteps are particularly famous.
▲ Artist Fu Yiyao conducting a gallery tour.
▲Fu Yiyao, Snow Scene of Eiheiji Temple, 94×178.5 cm, 2024.
▲ Fu Yiyao, Sanjūsangen-dō, Kyoto, 93.5×177.5 cm, 2024.
▲Gallery scene featuring works by artists Fu Yiyao and Tai Hsiang-chou.
▲ Tai Hsiang-chou, Celestial Phenomena – Five Tones Sequence, 37.5×25.5 cm, 2024.
▲Tai Hsiang-chou, Observing the Galaxy I, II, III, 200×119 cm, 2022.
Tai Hsiang-chou’s artistic philosophy has also garnered recognition from tech industry giants. Yahoo founder Jerry Yang has collected pieces from his Celestial Phenomena series for his private collection at Guanyuan Mountain Villa, and Tesla founder Elon Musk has also acquired one of Tai’s artworks.
Moreover, Tai’s works have entered numerous prestigious art institutions around the world, marking a historic breakthrough in the artistic achievements of his generation. Currently, 39 of his works are housed in top global museums and academic institutions, spanning over 20 major museums in the United States and Europe.
Meanwhile, the artistic practice of renowned lyricist from the Chinese-speaking world, Fang Wenshan, allows audiences to experience a harmonious resonance between tradition and modernity, music and visual art. His Punk Cat series cleverly incorporates contemporary designer toy elements into classical Western picture frames, showcasing a unique aesthetic blending the old and the new. Wenshan Flow is a highly creative work, combining elements like rusted frames, faux ice-cracked figurines, and grass-style calligraphy. This piece not only displays the artist’s free-spirited style but also evokes the passage of time and reflects the depth of Eastern culture. Another work from his Lyric Installation Art series, Just Take It as a Foreshadowing of Meeting You, features the mysterious translation of the lyrics from Jay Chou’s Blue and White Porcelain into the ancient Xixia script, painted with rust and verdigris. Fang Wenshan masterfully utilizes the symmetrical and balanced characteristics of the Xixia script to create a profound sense of history and mystery in the work.
▲ Fang Wenshan, Wenshan Flow, 65x57x6cm, 2023
▲ Fang Wenshan, Just as I Foreshadowed Meeting You, 96×65.7x2cm, 2024
Professor Su Xianfa, a prominent figure in contemporary Taiwanese art, has recently created a series of works centered around the theme of “The Four Seasons,” showcasing his deep passion for creation. One of the representative pieces from this series is Ink Lotus Heart Reflection. The work primarily uses deep blue and black tones to depict the reflection of lotus flowers in the water and the ripples on the water’s surface, evoking a dreamlike tranquility of a serene lotus pond. Su Xianfa skillfully merges the Eastern ink landscape tradition with Western abstract artistic expression. The work not only carries a strong material presence but also embodies a rich poetic quality. This visual effect allows the viewer to feel both the fluidity and lightness of ink, while also prompting deep reflections on space, time, and the cycle of life, fully showcasing Su Xianfa’s creative talent and artistic philosophy.
▲ Su Xianfa, Ink Lotus Heart Reflection, 80×116.5 cm.
▲ Su Xianfa, Solo Topping the List, 91×65 cm, 2020.
The Pine Tree Project series by Dr. Zhu Youyi, a professor at the Department of Fine Arts at National Taiwan Normal University, will be showcased in this exhibition. The works Xianshan Xing (Journey to Immortal Mountain), Mingzhi Shan You Hu (Knowing the Tiger Lies in the Mountain), and Ye Chun (Wild Spring) are inspired by the pine tree, beloved by scholars and literati. Zhu Youyi skillfully integrates Eastern philosophical thought with contemporary artistic techniques. The artist uses free and expressive ink structures as the color foundation of the paintings, blending the aesthetics of traditional Eastern calligraphy and ink-wash methods. Additionally, oil paint is layered to create a visually dynamic and expressive language full of tension.
▲ Zhu Youyi, Journey to Immortal Mountain, 116.5 x 80 cm, 2024.
▲ Zhu Youyi, Wild Freedom, 194x194cm, 2024
▲ Ji Bozhou, Imprisoned White Falcon, 36.5×53.5cm, 2021
▲ Ji Bozhou, Snowy Night Encounter, 36.5x54cm, 2020
▲Emerging leather artist Grace Wang, also known as Grace, is the founder of the London-based art craft leather goods brand, Grace Han.